Four warm Portuguese marbles—Aurora Light, Estremoz Veined, Estremoz Creme and Estremoz Ferro—built for soft, luminous interiors with gentle movement and occasional mineral contrast. We source the right lots, lock the batch, and translate the stone into a clean fabrication package.
Creme is the “warm white” end of the palette: bright enough to lift a space, but never cold. Across this collection the background moves through ivory, cream and pale honey tones, with pattern ranging from quiet clouding to longer vein-cut lines—and, at the bolder end, iron-rich streaks that read as natural rust and smoke. The effect is calm and layered: light on first glance, more character up close.
In interiors, these stones excel where you want warmth without decoration. They soften modern lines, pair effortlessly with oak, walnut, brushed metals and off-white walls, and make bathrooms and kitchens feel brighter without turning sterile.
They work particularly well on large planes—floors, wall panels, stairs and cladding—because the palette stays cohesive even when the movement changes from slab to slab. Polished finishes sharpen the mineral detail and give a clean glow; honed finishes pull the creamy body forward and keep the look more architectural and quiet.
floors, wall panels, bathrooms (vanities, showers); pair with white marbles or use solo for a warm, monolithic look. Pair with Estremoz White for contrast, or use solo for a warm, monolithic scheme.
Exteriors
façade cladding and paving when engineered; specify honed/brushed or sandblasted (no polish), with movement joints and sealed edges
Finishes
Polished — maximizes shine and contrast; every vein pops.
Light Sandblasted — softens contrast and lightens the perceived tone with a gentle texture.